The Rabbi's Dress (Or Why I Wear a Skirt on the Bimah)

When I was growing up, I had a remarkably keen awareness of gender codes in our culture, like a little gender-role prodigy. I never felt terribly boyish, and so the way that the world was poking and prodding me toward a set of male behaviors, affects and preferences always felt artificial to me. Boys had to act and dress and behave in specific ways, and mostly these ways made no sense to me. Aggression? Athleticism? Taunting girls? These values were alien and distasteful to me; my experience of them was something like what a Jew feels observing an activity that our people curtly dismiss with the term goyim naches.

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Marriage and Mysticism in a Less-Gendered World

The thought of all these bearded mystics, all men, in their male-only academies, imagining themselves to be God's bride - well, that just pleases me in all sorts of ways. They were able to see the gendering of the system as a metaphor not tied to biological sex or lived gender perhaps more than we can. Whether or not that made a difference in the lives of their real-life wives is unknown. But still, they used their male privilege to imagine themselves not-male. And that's worth something in my book.

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The Kedoshim Question: Aural Argument

Rabbi Hillel had been in happy retirement since his death, spending slow days playing Scrabble with Rabbi Shammai, who always complained that Hillel was making up words; Hillel insisted that if he had a plausible definition, especially a humorous one, his words should count. But now Hillel had been persuaded out of retirement in order to argue this most unusual case. He stood at the bench and beamed, despite his slightly disheveled appearance, compounded by matzah crumbs from the sandwich he'd snuck into the chamber in his pocket.

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The Weight of the World is Love (Queer Love Chant)

This is a three-part chant I wrote over a decade ago for a ritual designed by my friend Scott Himmelsbach. It was for an event called "Love, Valor & Compassion" and I was tasked with creating some music for the "love" section. It was a queer event, so I culled from Allen Ginsberg, Langston Hughes and Walt Whitman. Their text snippets bring to mind, respectively, the earthiness, the juiciness and the heavenliness of love. I've sinced used this periodically to replace the "Ahavat Olam" or "Ahavah Rabah" in Jewish ritual. And the other night I tried it for the first time at a (non-queer) partnership ritual (see video).

I offer this in case you wish to try it in your community or your work. (Start with Ginsberg and hold it till it's steady. Add Langston Hughes. Once those are stable, reach for Whitman! Lather, rinse, repeat.) If you do this, let me know how it flies!

And thanks to Johanna Adorjan for surreptitiously capturing a bit of video that gives a sense of how it sounds. Find it here.

 

 

Ki Tetze: Confessions of a Cross-Dressing Rabbi*

The deep preoccupation people feel when they encounter someone and are uncertain how to read their gender is very revealing about how central - unnecessarily central, stupidly central - gender is to our culture. It seems someone’s gender is the most important thing we can know about them. When a baby is born, their sex is the first thing we ask, before we even ask about their health. We don’t know how to begin thinking about a baby without a proper pronoun, and an appropriate set of colors, toys and aspirations to go with it. (Even if the aspiration is that the baby should defy the limitations placed on their gender.)

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