Parashat Yitro: The Speech of Sinai

That is, there exists a particular stereotype of the tough guy, right out of the Sopranos, and either he fit it perfectly or he played it perfectly. I, of course, am undoubtedly a stereotype in other people's eyes. You know, the singing-drag-queen-slash-rabbi stereotype. But his type is a special challenge for me. I spent my childhood fleeing toughs, and my adulthood building a life in which they do not figure. And yet here he was. I looked at him and he looked at me. And I couldn't figure out how to understand him, so imprisoned was I within the image he was presenting - or that I was projecting.

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Parashat Bo: Freeing the Hard Heart

I know it might not sit well to look at Pharaoh this way; it feels too sympathetic toward the arch-villain of our collective imagination as he holds firm against the inevitable tide of emancipation. But the parashah seems to invite it. After all, it opens with bo el-Par'oh, - "come to Pharaoh," not lech el-Par'oh, "go to Pharaoh." The vantage point is Pharaoh's; he is the fixed point and Moshe - and we - are being invited into his world.

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Kol Haneshamah - Every Living Thing

Something new and beautiful from Ner Shalom. Lorenzo Valensi's new setting of Kol Haneshamah - the final verse of the book of Psalms.

כל הנשמה תהלל יה הללויה
Kol haneshamah tehalel Yah. Haleluyah.

Let every living thing praise Yah. Hallelujah.

 

A new joyous setting of the closing line of Psalm 150: Kol haneshamah tehalel Yah, Hallelujah -- let every living thing praise Yah, Hallelujah. Music by Lorenzo Valensi. Sung by Reb Irwin Keller. Music (c) 2010 Lorenzo Valensi

It's a fast recording we threw down on Garageband, and a fast video from iMovie. But rough production values aside, I think it's a thing of beauty. Enjoy.