My Two Egypts

So it's that time again, to widen the narrow places and let our waters flow free to the sea. Not just the places you always think need widening, but the narrow places you're about to discover. Clear a passage through both your Egypts. Undam it all.

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Parashat Terumah: Details and Dolphin Skins

How did this group of escaped slaves come to be wandering the desert with dolphin skins? Or giraffe skins. Or unicorn skins. Every year at Pesach we tell the story of our poverty and oppression in Egypt and our haste in departing. How does that story square with this new detail? "Honey, there's no time to let the bread rise. We've got to just bake it flat. Oh, in the meantime, don't forget to pack the dolphin skins! And precious metals. Oh and why not a few cubits of acacia wood, just in case we want to build."

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Parashat Yitro: The Speech of Sinai

That is, there exists a particular stereotype of the tough guy, right out of the Sopranos, and either he fit it perfectly or he played it perfectly. I, of course, am undoubtedly a stereotype in other people's eyes. You know, the singing-drag-queen-slash-rabbi stereotype. But his type is a special challenge for me. I spent my childhood fleeing toughs, and my adulthood building a life in which they do not figure. And yet here he was. I looked at him and he looked at me. And I couldn't figure out how to understand him, so imprisoned was I within the image he was presenting - or that I was projecting.

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Parashat Bo: Freeing the Hard Heart

I know it might not sit well to look at Pharaoh this way; it feels too sympathetic toward the arch-villain of our collective imagination as he holds firm against the inevitable tide of emancipation. But the parashah seems to invite it. After all, it opens with bo el-Par'oh, - "come to Pharaoh," not lech el-Par'oh, "go to Pharaoh." The vantage point is Pharaoh's; he is the fixed point and Moshe - and we - are being invited into his world.

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