And indeed as you stand in the Scola Tedesca and look up at the women's gallery, you see what looks like a theater loge. There are low upright pillars to about knee level, and then a gilded latticework screen up to perhaps the neck of a seated woman, and above that it is open. This gallery is not meant to hide the women, but to foster flirtation.
Read moreTorah The Musical – And Other Lessons from the Broadway Stage
After much thought, I decided Torah, as a musical, is maybe most like "Into the Woods." Here's why.
Read moreJoseph the Matriarch
We are now in the annual 4-week saga of Joseph, and I find myself eyeing him across the ages. I see him young, middle aged and, at long last, at the end of his life, settling in to be a grandmother, the matriarch of his line.
Read moreRetelling Kristallnacht
It is our task to tell this story lovingly, enchantingly; Scheherazade beguiling the prince or, in that story’s Jewish counterpart, Esther, full of charm, speaking truth to power. Scheherazade and Esther don’t win. They don’t defeat the king. They recruit the king. It is our task to tell this story in a way that recruits all of America.
Read moreThe Persistence of Shabbat (After Pittsburgh)
We don't always say yes to what Shabbat offers. Maybe we say no more often than we say yes. But she never gets the hint. And she never gives up on us. She keeps showing up at the door in all her beauty, the Shechinah robed in time, with the fierceness of lions and the voice of songbirds. And so it is also after a week like this one. A horrible, unthinkable week, here she is again. Despite it all.
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